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c. 1445 – May 17, 1510. Italian painter.

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CARPACCIO, Vittore
Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg

ID: 05865

CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg
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CARPACCIO, Vittore Martyrdom of the Pilgrims and the Funeral of St Ursula (detail) fdg


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | The Ambassadors Return to the English Court fg | Departure of the Pilgrims (detail) sdf | The Lion of St Mark (detail) sdf | St Stephen is Consecrated Deacon (detail) dfg | The Calling of Matthew dsf |
Related Artists:
Ilya Yefimovich Repin
1844-1930 After training with a provincial icon painter and at the St. Petersburg Academy of Fine Arts, he visited France and Italy on an academy scholarship. On his return he began painting subjects from Russian history. In 1873 he achieved international fame with Volga Boatmen, a grim, powerful image that became the model for Soviet Socialist Realism. Among his best-known works is Ivan the Terrible and His Son Ivan (1895), depicting Ivan's murder of his son. He also painted vigorous portraits (including Leo Tolstoy and Modest Mussorgsky). In 1894 he became professor of historical painting at the St. Petersburg Academy.
William Ellery Channing
(April 7, 1780 - October 2, 1842) was the foremost Unitarian preacher in the United States in the early nineteenth century and, along with Andrews Norton, one of Unitarianism's leading theologians. He was known for his articulate and impassioned sermons and public speeches, and as a prominent thinker in the liberal theology of the day.
William Blake
1757-1827 British William Blake Galleries William Blake started writing poems as a boy, many of them inspired by religious visions. Apprenticed to an engraver as a young man, Blake learned skills that allowed him to put his poems and drawings together on etchings, and he began to publish his own work. Throughout his life he survived on small commissions, never gaining much attention from the London art world. His paintings were rejected by the public (he was called a lunatic for his imaginative work), but he had a profound influence on Romanticism as a literary movement.






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